Do you write for its own sake, or for wealth & stars against your name?
I started writing fiction from an academic background. I was taking a kind of sabbatical and toying with the dream of being a novelist, only to find that fiction writing is arguably harder than academic work, at least in the sense that there is only your own imagination to rely on, and you have invent everything yourself.
Like every other writer here I wrote until something like a novel emerged, and then I sent it out with great expectations. Alas the story from here on has many familiar elements, including endless waiting to here back from an agent or publisher, and then the rejections without even a single word of any manuscript being read. Continue reading »
One of the challenges that confront all writers is how to bring about a fundamental change in a character. As very many writers will know, at times a character takes on a life of their own; that the presence of an agent in a story can become so robust that it is hard to get them to cooperate with the inevitable twist and turns the writer’s imagination weaves in the telling of a tale. Continue reading »
The title writing about evil is somewhat misleading because I’m not sure that it can be achieved, at least not directly, in a meaningful way. I’m not even sure it exists as a category that is separate from any other description of the things we do as human beings. Cruelty is everywhere, either through neglect, disregard or intentionally as a source of dubious pleasure. And we might not be alone, it has been said that chimpanzees occasionally enjoy killing and maiming in the way that some people apparently do. Violence can become intoxicating, either as a participant or to watch. We can kid ourselves that boxing or cage fighting is a supreme form of athleticism, but if no one got hurt, it wouldn’t be the same.
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Having completed my second video book promotion, I’ve gained a few more insights various issues surrounding key parts of the production process. With the Spaceship over Vancouver video, the narrative was fairly straightforward from the beginning. Despite the twists and turns of the plot, the basic plot was easily defined; this was a book about the impact of an alien visitation to Earth. The message the video needed to impart was clear from the outset.
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Although as writers we spin tales with words, we still rely to some extent on the power of images. Not least in the case of book covers, but also with illustrated books, children’s nursery rhymes, poetry and graphic novels. Matching words and images produces a powerful medium, and I suspect many writers would relish the idea of working closely with a artist on such a project. It might not be suitable for all literary work, but anything that conjures powerful visual images within the imagination would gain a lot from an illustrated edition. It would be great to be able to afford to have both Sangian and Spaceship over Vancouver illustrated.
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